Commissioning a portrait by Shannon
Reynolds
The best portraits succeed
two ways: as good likenesses, and as works of art in their own right. I strive
to paint portraits that live up to these goals. I enjoy the interaction with my
subjects and the collaborative nature of portraiture.
Ideally, I will meet my
portrait subject/subjects in a familiar environment where they are comfortable
and will act most themselves. Even if this place will not feature in the
portrait, familiar ground will help me to get to know the sitter a little
before we proceed. If a familiar location is not possible for the sitter, we
can meet in my studio. In the first meeting, of between two to four hours
depending on our stamina, we will discuss size and possible compositions for the
portrait. If all goes well, I will make some studies in charcoal or pencil and
take some reference photos. Occasionally, the sketches and photos from this
initial session are enough to see me through the whole portrait, but usually a
second or even third session with the sitter is necessary to establish details
of lighting, clothing, and setting. So many factors contribute to good
portrait making, and reference gathering is so crucial that I can’t be sure of
the amount of time I will need with someone until we’ve met. Of course, if
time allows, I would be happy to paint the entire portrait from life over
several sessions.

I typically paint close to
life size which means the minimum size for a face-only portrait would be about
12” x 14”, but my preference is for larger paintings including both head and
hands. Prices for oil on canvas, or oil on wood panel portraits range from $500
for the smallest head-only paintings to $3000 for full-length portraits of up
to 42” x 72”. Additional figures add an additional 75% to the cost. Prices
include materials and photographic costs. Travel expenses and any other
incidental costs, such as packing and shipping, are extra.
I encourage all portrait
sitters to be active participants in the portrait making process—to consider
what they want out of the experience and the finished piece, and what type of
pose will best suit their personalities. If the painting is based on sketches
and photos, I will offer a few thumbnail compositions for the sitter to choose
among. Then I will retreat to my studio and the painting will begin in
earnest. The largest paintings could take upwards of a month to complete.
Smaller paintings could take between two to four weeks.
For additional
information, please email shannon@parlour.ca
Prices are subject to change without notice